ABOUT ME

ABOUT ME

ABOUT ME

I am a Jamaican/German born in Georgetown, Guyana in 1954 (then the British colony British Guiana). My Jamaican family descends directly from enslaved people brought to the Caribbean from West Africa. Many members of my German family perished during the Shoah. My Mother escaped to the United Kingdom with the Kindertransport. My family moved to Kingston, Jamaica in 1957 (also a British Colony at that time) where I grew up. In 1972 my father was posted to Geneva, Switzerland where from 1973-1977 I attended the Geneva School of Fine Arts graduating with a diploma in painting and sculpture. After a brief stay in Dijon, France where I went to the School of Fine Arts I moved to Cologne, Germany in 1978. I lived in there from 1978 to 1993 when I returned to Jamaica. During the years in Cologne I exhibited in several solo and group exhibitions in Cologne, Bonn, Koblenz, Muenster, London, San Francisco and Geneva. In 1985 I joined the artists’ collective Galerie am Buttermarkt in Cologne and was an active member until leaving Germany in 1993. As a collective we organised exhibitions, many with political and social themes, of our own work as well as the works of many up and coming artists. I returned to Jamaica in 1993 to found the eco-boutique hotel Mockingbird Hill where my work was on permanent display in all areas of the hotel. In 1996 I opened the Gallery Carriacou at the hotel organizing exhibitions for local artists as well as showing my own work. 

I returned to Germany in 2018 where I live in Berlin with my wife and muse Shireen with whom I have been together for almost 50 yearsand who has been very supportive, and travelled with me on my artistic journey. After the long break in Jamaica I am once again able to concentrate on my art which has been central in my life since I was a child. In much of my work I look into the traumatic experiences of by both my Jamaican and my German ancestors. I see the parallels of the two tragedies, Slavery and the Shoah, and I consider what it means to be a descendant of both along with exploring the complexities that come with my duality. Having grown up in Jamaica, a former colony and operating a business there, I am keenly aware of the effects of colonialism and of the colonial structures that, despite independence, exist to this day, cementing the mental slavery that plagues the nation. For so long we lived in denial of the colonial past that shaped us, but now the call for reparatory justice in the Caribbean is, today, loud and very clear. Mine is one of the many Jamaican voices that are a part of that call.

I am a Jamaican/German born in Georgetown, Guyana in 1954 (then the British colony British Guiana). My Jamaican family descends directly from enslaved people brought to the Caribbean from West Africa. Many members of my German family perished during the Shoah. My Mother escaped to the United Kingdom with the Kindertransport. My family moved to Kingston, Jamaica in 1957 (also a British Colony at that time) where I grew up. In 1972 my father was posted to Geneva, Switzerland where from 1973-1977 I attended the Geneva School of Fine Arts graduating with a diploma in painting and sculpture. After a brief stay in Dijon, France where I went to the School of Fine Arts I moved to Cologne, Germany in 1978. I lived in there from 1978 to 1993 when I returned to Jamaica. During the years in Cologne I exhibited in several solo and group exhibitions in Cologne, Bonn, Koblenz, Muenster, London, San Francisco and Geneva. In 1985 I joined the artists’ collective Galerie am Buttermarkt in Cologne and was an active member until leaving Germany in 1993. As a collective we organised exhibitions, many with political and social themes, of our own work as well as the works of many up and coming artists. I returned to Jamaica in 1993 to found the eco-boutique hotel Mockingbird Hill where my work was on permanent display in all areas of the hotel. In 1996 I opened the Gallery Carriacou at the hotel organizing exhibitions for local artists as well as showing my own work. 

I returned to Germany in 2018 where I live in Berlin with my wife and muse Shireen with whom I have been together for almost 50 yearsand who has been very supportive, and travelled with me on my artistic journey. After the long break in Jamaica I am once again able to concentrate on my art which has been central in my life since I was a child. In much of my work I look into the traumatic experiences of by both my Jamaican and my German ancestors. I see the parallels of the two tragedies, Slavery and the Shoah, and I consider what it means to be a descendant of both along with exploring the complexities that come with my duality. Having grown up in Jamaica, a former colony and operating a business there, I am keenly aware of the effects of colonialism and of the colonial structures that, despite independence, exist to this day, cementing the mental slavery that plagues the nation. For so long we lived in denial of the colonial past that shaped us, but now the call for reparatory justice in the Caribbean is, today, loud and very clear. Mine is one of the many Jamaican voices that are a part of that call.

My political sensitization began in the early 1970’s as I began to see the inequalities and injustices that prevailed in the Jamaican society. My left leanings were born during the rise to power of Michael Manley and his vision for a social democratic Jamaica. My first trip to India where I was saw a level of poverty not known in Jamaica set me firmly on a path to use my art as a means to comment on and expose the social wrongs of the world. My environmental awareness began in the 1980’s with the birth of the Green Movement in Germany. It was during this time that I also discovered the Goddess, our Earth Mother.


The themes that form the body of my work are both political and personal with the personal more often than not also making very political statements. Sometimes a work is a direct response to an event, for example the murder of George Floyd theme related or the deaths of migrants in the Mediterranean. Generally my choice of themes embodies my response to and reflections on a subject: for example, the hypocrisy of all the proclamations regarding human rights and the Global North trying to hold the Global South to these terms, while contradicting the principles themselves when basic human rights apply in varying grades depending on the country of your origin, your skin colour, your financial status, your connections and so on. A large body of my work is dedicated to the Goddess and to the destruction we bring down on Her, destroying ourselves in the process. My other main theme is the question of my own identity as a person of mixed race. I look at my heritage, my ancestors and try to show the complexities of my duality. My ‘happy’ works are of the female body, though even here I use images of the female body as representing the Goddess and Her pain.

My resumé

1973 - 1977

Geneva School of Fine Arts, Diploma in Painting and Sculpture.

1973 - 1977

Geneva School of Fine Arts, Diploma in Painting and Sculpture.

1977 - 1978

Dijon, France, Dijon University and School of Fine Arts.

1977 - 1978

Dijon, France, Dijon University and School of Fine Arts.

1978

Moved to Cologne, Germany, working as an artist there exhibiting in Germany and abroad.

1978

Moved to Cologne, Germany, working as an artist there exhibiting in Germany and abroad.

1985 – 1993

Member of the artists’ collective “Galerie am Buttermarkt” in Cologne and was an active member until leaving Cologne organizing national and international exhibitions, many with political and social themes.

1985 – 1993

Member of the artists’ collective “Galerie am Buttermarkt” in Cologne and was an active member until leaving Cologne organizing national and international exhibitions, many with political and social themes.

1991

Tour guide for women attending the “5th International Black Women’s’ Summer Institute” which was held in Cologne.

1991

Tour guide for women attending the “5th International Black Women’s’ Summer Institute” which was held in Cologne.

1992

Tour guide for “Frauen Reisen” in Cologne visiting museums and women artists in Cologne. Lectured on “Racism in Germany” at the annual party conference of the women’s arm of the Green Party and at other venues.

1992

Tour guide for “Frauen Reisen” in Cologne visiting museums and women artists in Cologne. Lectured on “Racism in Germany” at the annual party conference of the women’s arm of the Green Party and at other venues.

1993

Returned to Jamaica to open Hotel Mockingbird Hill, an eco-boutique hotel which was one of the first four hotels worldwide to be certified for its eco-friendly operations by Green Globe in 1998. My work was on permanent display in all areas of the hotel.

1993

Returned to Jamaica to open Hotel Mockingbird Hill, an eco-boutique hotel which was one of the first four hotels worldwide to be certified for its eco-friendly operations by Green Globe in 1998. My work was on permanent display in all areas of the hotel.

2025

Opened Gallery Carriacou at the hotel. Here I organized exhibitions for local artists and also exhibited my own work.

2025

Opened Gallery Carriacou at the hotel. Here I organized exhibitions for local artists and also exhibited my own work.

2025

Returned to Germany, to Berlin where I have a studio and actively pursuing my art.

2025

Returned to Germany, to Berlin where I have a studio and actively pursuing my art.